I need a King Gainer …
King! King! King Gainer!
Metal Overman King Gainer!
Overman King Gainer can be put on record as featuring one of my favourite OPs in the history of anime. Much of the cast, including designated “villains” and robots alike, go-go dance to the rocking tune. It pumped me up so much that most of the time I didn’t skip it. I would dance around the house singing the song even when I wasn’t watching. Thanks to the wonders of the multimedia review age, I can share that OP with you right now:
Unfortunately, you’d be harder pressed to find the series itself by legitimate means, as it has been out of print for the English world for a fair while now. Why you can pick up something not particularly exciting like Lost Universe thirteen years after its screening but not this 2002 piece is beyond me. The two of them bear comparison because they represent two different generations of anime: Lost Universe the awkward transition from cel work to digital animation with some clumsy CG, and Overman King Gainer the confident application of digital with smooth results.
Overman King Gainer also has the distinction of being a mostly good series, but it’s not without its faults. I think that I noticed the flaws so intently because I enjoyed the series so much. When that happens, any let down is magnified far more than disappointments in shows that weren’t particularly good to begin with.