Yona Yona Penguin

What did Rintaro do to deserve this? I think that Yona Yona Penguin is a trick that the French played on the Japanese.

“We’ve got an idea about a girl who dresses as a penguin, who gets taken to the land of the Good Fellow Devils to defeat the evil being who rules their land!”

“It would never fly here … Maybe you could get the Japanese to animate it? We can pretend it was their idea!”

Rintaro made Metropolis, which was a great movie. He also made X, which was an incoherent movie. In Yona Yona Penguin he’s made a bland movie, and he’s compounded the issue by making it ugly.

Coco loves penguins. She loves them so much that a goblin thinks that she is the legendary flightless bird, and takes her to his village so that she may defeat the great evil. First, however, they have to deal with the fat kid Zammie who has been terrorising the village.

There’s not a lot to say about Yona Yona Penguin. It features unimaginative CG and ugly character designs. It lacks a lot of the sort of charm that this type of film needs to get off the ground, and amounts to nothing.

The big swelling realisation of the lead’s inner power is kind of offset by the fact that she ends up taking the credit for the work of the gods, and…

‚ĶBasically, this is a children’s movie made solely for children with no redeeming features for anyone else. It is not well crafted, nor is it nice to look at. I would not have seen it, but it had Rintaro’s name attached.

The French weren’t tricking the Japanese: this was an elaborate (and expensive) plot against me.

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