Stephen King’s first short story collection is from the olden days when genre short stories ruled the earth, and people would just read them where they lay — in the pages of Penthouse, no less, when you really could read them for the articles. Of Night Shift’s 20 stories, a full 80% were published ahead of collection, and half of them were published ahead of Carrie. The short story mode is completely different to the novel, and King was rightfully confident in this early selection. There are some remarkably strong entries in here, several of which became films — in at least one case, entirely too many films — the embryos of later works, and a couple of continuations of ‘Salem’s Lot (which are now published in modern reprints of same).
Night Shift is a collection of short stories for people who no longer believe in them, and because of the form and era, not all endings have to be neat or happy, or undisturbing. King has a bit of everything in here, and few weaknesses.